Actor and musician Billy Hough will interview actor Lili Taylor as part of a virtual “craft conversation” via the Fine Arts Work Center on Thursday, December 10th, from 6 to 7:30 p.m. Registration is $25 minimum donation at fawc.org.
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Actor and musician Billy Hough will interview actor Lili Taylor as part of a virtual “craft conversation” via the Fine Arts Work Center on Thursday, December 10th, from 6 to 7:30 p.m. Registration is $25 minimum donation at fawc.org.
Victoria Redel will interview Bill Clegg on his new novel The End of the Day on Thursday, December 3rd, from 6 to 7:30 p.m., as part of the Fine Arts Work Center’s “Craft Conversations on Writing.” Registration for this virtual event with $25 minimum donation at web.fawc.org.
Join poet Brenda Hillman, the author of 10 collections of poetry, including White Dress, Fortress, and Death Tractates, for “Some Notes on Poetic Courage,” a virtual talk and conversation with Marie Howe, hosted by the Fine Arts Work Center. It will take place via Zoom on Tuesday, December 1st, from 6 to 7:30 p.m. Register with a $25 suggested donation at fawc.org.
Among the many honors poet Terrance Hayes has received is a 2014 MacArthur Foundation “genius” grant. His most recent collection of poems, American Sonnets for My Past and Future Assassin, was a finalist for the National Book Award. He currently is a professor of English at New York University, and on Thursday, November 5th, at 6 p.m., he’ll be the featured guest of the Fine Arts Work Center’s virtual series, “Open to Wonder: Craft Conversations on Writing.”
To register, go to fawc.org. A minimum donation of $25 is requested.
Provincetown’s Fine Arts Work Center is hosting a virtual “Craft Conversation” with authors Ann Patchett and Elizabeth McCracken on Thursday, October 29th, at 6 p.m. Register with a $25 minimum donation at fawc.org.
Join poet Susan Choi and novelist Michael Cunningham for a virtual “craft conversation” on “What Teaching Teaches Writers,” hosted by (and benefiting) the Fine Arts Work Center in Provincetown. It will take place Thursday, October 22nd, at 6 p.m. Register with a $25 minimum donation at fawc.org.
Join poet Carl Phillips for a virtual “Craft Conversation in Writing” titled “The Ghost in You” on Thursday, October 15th, 6 p.m., hosted by the Fine Arts Work Center in Provincetown. Register with a $25 minimum donation at web.fawc.org.
Videos of all of the Fine Arts Work Center’s past virtual events are available for free viewing on their website. Go to fawc.org.
By K.C. Myers
PROVINCETOWN — The Fine Arts Work Center’s executive director has announced his resignation by June 2021 following charges of classism and racism by this year’s fellows and one staff member.
Executive Director Richard MacMillan, a former fundraising executive with M.I.T., announced to the nonprofit’s board of trustees on Aug. 25 that he will be stepping down, according to a prepared statement released by the board. No date other than “by June 2021” was specified for his departure.
“Within this timeframe, Richard will continue to oversee all of the initiatives he has been instrumental in developing to create a foundation for his successor and the FAWC will convene a search committee for an executive director who will work with him on a smooth transition,” the statement read.
This follows a controversial year during which the 20 FAWC fellows publicly complained that their stipends were not sufficient. The group displayed a letter stating as much during their annual exhibition at the Provincetown Art Association and Museum in December. Then, as the winter fellowships came to a close during the pandemic, five fellows asked to stay on beyond the allotted seven months because, they said, they had no safe place to go.
MacMillan and the board, none of whom would comment for this story, granted a stipend increase from $750 a month to $1,000. They also allowed the fellows to stay on an extra six weeks in the spring for free. But this did not satisfy the fellows, one of whom stayed on at the work center beyond the June 1 deadline for leaving, daring the FAWC to remove her when the governor had imposed a ban on evictions through October.
MacMillan told the Independent in June that he had no intention of forcing her to leave.
On June 8, the fellows sent out a “call for action” letter listing their grievances, and it garnered about 80 signatures from members of the arts community.
“The FAWC has failed to address concerns raised in recent years regarding racially-charged interactions at the FAWC and has engaged in behaviors and practices that silenced those voices,” the fellows’ letter stated.
FAWC’s visual coordinator, Lydia Hicks, resigned in the spring following what she described as racist behavior by some of the staff. Earlier in the winter, co-executive directive Bette Warner tendered her resignation, she said, for personal reasons.
In response to the fellows’ complaints, MacMillan and the board admitted, in a statement, that the work center has been “complicit with the structural racism that plagues the country.”
MacMillan joined FAWC in March 2019 after 11 years at M.I.T., where he was the senior director of philanthropic advising. Signe Swenson, a former colleague of MacMillan’s at M.I.T., told the Independent MacMillan was aware of and approved of the university accepting and concealing donations from the convicted sex offender Jeffrey Epstein. MacMillan has denied this.
FAWC is one of Provincetown’s most respected arts institutions. Former fellows have won 7 Pulitzer Prizes and nearly 50 Guggenheim Fellowships.
Last week, in its prepared statement, the FAWC board wrote that “throughout this time of great concern and crisis, Richard has provided stalwart leadership, encouraging a spirit of collaboration and professionalism between staff, trustees, fellows and donors.
“Our response to the call for action [has] been implemented under his leadership,” the board’s statement continued. This response includes creation of a council of fellows on the board of trustees to improve dialogue between fellows, staff, and the board, and creation of a diversity, equity, and inclusion committee, which is now “underway,” according to the statement.
FAWC has hired TDC, a Boston consulting group, to “set the course for the future,” it stated. The trustees also hired a “new financial and technical consultant” to plan for 2021.
Due to the pandemic, there will be no residency program for 2020-2021, according to Alix Ritchie, whose wife, Marty Davis, is president of the board of trustees.
MacMillan is also quoted in the trustee’s statement: “While my time at the Work Center has brought unexpected challenges and tested many of us, I want you to know how grateful I am to have this opportunity to push forward for stabilization and to depart with a sense that there is a clear pathway forward.”
Elissa Altman, a food writer and memoirist who has taught at the Fine Arts Work Center, will launch her new book, Motherland, about her “loving, turbulent, and toxic relationship with her mother” (per Publishers Weekly), in a virtual reading and discussion on Tuesday, September 8th at 6:00 p.m, hosted by East End Books Ptown at eastendbooksptown.com. The event is free, but pre-registration is required.
Naya Bricher’s show of candy-colored paintings, “Cue the Montages,” has its final day on Thursday, August 20th, but be sure to catch what remains at Four Eleven Gallery, 411 Commercial St. in Provincetown. Bricher, who works at the Fine Arts Work Center and teaches Zumba online, says in the show’s announcement that the work is “culled from years of digital clippings and snapshots.”The gallery is open Thursday through Monday, 11 a.m. to 5 p.m., or by appointment at fourelevengallery.com.
The Fine Arts Work Center in Provincetown is presenting a Zoom talk by former visual arts fellow Esteban del Valle on Thursday, Aug. 13, at 6 p.m. Del Valle will discuss two media he has been using recently: color pencil and china marker. Tickets are $10; register at fawc.org.
The Fine Arts Work Center in Provincetown is presenting a poetry reading and conversation with Gail Mazur and Jill Bialosky, moderated by Major Jackson. The event will take place on Zoom on Thursday, Aug. 6, at 6 p.m. Registration costs $10 at fawc.org.
The Fine Arts Work Center in Provincetown is hosting a virtual one-hour poetry workshop led by Nick Flynn that is designed to inspire unexpected and surprising new poems on Thursday, July 30, at 6 p.m. Registration is $10 at fawc.org.
PROVINCETOWN — The Fine Arts Work Center notified participants in its summer workshops by email on April 29 that the entire program had been postponed until 2021 due to the coronavirus. FAWC’s week-long workshops in creative writing and visual arts, led by renowned faculty, attract students from near and far and are an important funding source for its prestigious winter fellowships.
“It was a monumental decision, very difficult for everyone,” Richard MacMillan, FAWC’s executive director, told the Independent. “But as more and more information became clear to us, we realized that we just couldn’t, in all confidence and fairness, keep people hanging.”
MacMillan estimated that over half of the staff and students come from out of town, some having to plan flights from overseas.
Though FAWC’s decision may have come first, other Outer Cape arts organizations are grappling with similar scenarios.
Kiah Coble, curator of adult education at the Provincetown Art Association and Museum, said, “We have officially rescheduled or put online all our workshops for May and June. We’re waiting to see how things evolve, and what the C.D.C. recommendations and local bylaws are for July and August.”
Though PAAM has not yet canceled or postponed summer classes, plans are being made for what they might look like, with smaller classes (capped at five students), social distancing, mask-wearing, and increased sanitation.
Coble said that the health of students and staff is the top priority. “If there is a possibility that we can do classes in a capacity that feels safe, I absolutely want to do it,” she said. “I don’t want to decide to cancel the summer program, then realize there was an opportunity to run small courses.”
The decision for PAAM is not as fraught as it was for FAWC. The majority of teaching staff are year-rounders. And PAAM, as an exhibiting museum and membership organization, is less reliant on revenue from classes.
On the other hand, Cherie Mittenthal, executive director of Truro Center for the Arts at Castle Hill, estimated that 60 percent of her organization’s revenue comes from classes. When Castle Hill canceled classes through July 3, including its annual encaustic conference in Provincetown, it took a big hit, but staff has not been furloughed thanks to a Paycheck Protection Program loan.
“We are still debating where we are going to land, but the current plan is, while taking into account the advice of the state and governor, we are not going to cancel everything for the summer,” Mittenthal said. “We are going to strongly modify our program and create specialty classes that can hopefully happen throughout July, and definitely August, as well as the fall.”
Mittenthal said that safety measures may include decreasing class sessions to four a week, limiting their size, requiring masks and gloves, sanitation measures, and doing landscape and sculpture classes outside. After acquiring its Edgewood Farm campus in 2016, Castle Hill does not lack space. If all else fails, it may do online classes only, although these would be carefully crafted and cost less.
But numerous unknowns remain. “Will people feel comfortable enough to come?” Mittenthal asked. “Nobody knows the answer yet.” Short-term rental availability is also a consideration. “We are taking it month to month. Obviously, we don’t want to plan and then have to cancel.”
MacMillan’s decision to cancel was a combination of courtesy for staff and students and heeding scientific advice, he said. “We can’t police social distancing,” he said. “We are not health care people.”
Enrollees at FAWC have been given the option of a total refund, deferring until next year, or writing off tuition payments as gifts. MacMillan said that about 15 percent have made a gift, while 60 percent have asked for a refund. FAWC, too, has not had to lay off staff, thanks to a PPP loan.
But he didn’t downplay the gravity of the situation. “The summer program is designed to develop revenue to support the fellowship program,” he said. “Loss of this revenue jeopardizes the fellowships. It’s a domino effect.” He added that no final decisions have been made about the fellowship program.
In the meantime, FAWC will continue to engage its artists. The 24 Pearl Street Online Writing Workshops are being revamped to include more interactive and real-time elements.
“I felt we needed to move on and take the time to reinvent the experience so that we don’t lose people,” MacMillan said. “You can lose people by waiting, you can lose people by not being transparent, and I felt we had been waiting long enough.”
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